When applied to affected footage it will identify problem areas and let you adjust the Rolling shutter rate to remove the skew. As with After Effects, Adobe has introduced the new Rolling Shutter Repair effect to combat this.
Rolling shutter artifacts, caused by CMOS sensors in video-capable DSLRs, are also found in hand-held footage, commonly causing vertical lines to be skewed. Warp Stabilizer is now available inside of Premiere Pro CS6, with the potential to make shaky, uneven handheld footage look as if it were shot with a camera rig. The Audio editor has also been redesigned and indeed improved, with greater control and more accurate feedback of audio signal levels. Other enhancements include a newly revamped Time Ruler bar in the the Source Monitor, Program Monitor, and Timeline panels and new properties and functionality for markers. Adobe Premiere Pro CS6 also lets you put either the Program Monitor or the Source Monitor into full-screen cinema mode on your system's primary display with a key press.
#ADOBE PREMIERE PRO CS6 FULL#
Full screen cinema, baby!Ī button editor allows you to customise this further, allowing for example you to add previously 'hidden' buttons such as Play Around and Loop. There's thus no dead space on either side any more and no more jog and shuttle controls. Now the Source and Program monitors seem a lot clearer, allowing big uncluttered displays of footage - the monitor buttons sitting comfortably on a single row below. Premiere Pro always seemed a bit cramped and techy for a creative tool. Personally we like the 'big media focus' on the user interface. Don't run screaming just yet, because the legacy default workspace is still available in the Workspace menu. New look for Premiere Pro CS6Īdobe Premiere Pro CS6 has a new interface, a two-up workspace that positions the Source Monitor and Program Monitor side by side at the top of the screen the Project panel, Media Browser, Info panel, and Effects panel are located at the lower left, and the Timeline panel as well as the Audio Meters panel are in the lower right corner of the screen. Virtual is the operative word in this case, because as well as being able to buy Adobe Premiere Pro CS6 as a standalone desktop application or boxed copy of Production Premium, you can also use it as part of an Adobe Creative Cloud membership. It's in that light then that we peel back the (virtual) wrapping of the latest edition. With over 50 enhancements in this release, Adobe has a chance to cut further into the high-end market it's been striving for, but it remains to be seen if Adobe Premiere Pro CS6 will be enough to knock Avid off the broadcast throne.
#ADOBE PREMIERE PRO CS6 MAC#
Premiere Pro, on the Mac at least, saw another leap in sales as people switched to Adobe and Avid in droves after Apple 'reengineered' Version X of Final Cut Pro FCP and completely changed the interface. This was further refined in CS5.5 to allow users to open projects faster, get real-time feedback for more GPU-accelerated features, and work more smoothly at 4k and higher resolutions. If you're on Premiere Pro CS5.5 it's perhaps not an essential upgrade, but for everyone else, and particularly if have a NVIDIA CUDA card in your machine, it's definitely worth a trial. Apple caught flak for changing the interface and workflow its users were so adhered to, but while there's a new interface and many enhancements here, there's not the same revolutionary overhaul that so alienated some of Apple's user base. There's also a limited number of Adobe-certified GPU cards recommended for GPU-accelerated rendering, though it's good that users of the recently released Macbook Pro, if not other laptop users, can take advantage of this power.
#ADOBE PREMIERE PRO CS6 SOFTWARE#
However, although there's a lot to like, there are (albeit a few) bugs in the (preview version) of the software and the Warp Stabilizer couldn't handle everything thrown at it. The wide-open UI is also very welcome - as of course is GPU acceleration. Trimming is a lot faster both in the Timeline and in the Program Monitor, as is the application of effects via double-click and Adjustment Layers. Good features include the new Project panel and Media Browser functionality- both as an alternative to using the source monitor and the ability to really speed up the workflow.
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